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About
Introduction to the Archive
Short Biography
Musical Approach
George Hurst’s Conducting Technique
Recordings of George Hurst
Compositions of George Hurst
Canford Summer School
Quotations
Obituary Material
Video Archive
Overview
About the Video Archive
Masterclass Series
In Rehearsal
In Performance
Music Study
Musical Principles
On Technique
Stories and Vignettes
Full Archive By Composer
Sound Archive
About the Sound Archive
Interview with George Hurst
Radio Broadcasts
Commercial Recordings
Beethoven Symphonies Project
Concert History
Introduction
Programme Database
Concert Listings
Concert Reviews
The George Hurst Foundation
About the Foundation
Conducting Courses
Contact Us
Donate
Search for:
Search Button
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Musical Principles
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Structure and Organic Connection
Balance
Bowings
Dynamics
Length of Notes
Meaning, Feeling and Style
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Micellaneous
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Structure and Organic Connection
Balance
Bowings
Dynamics
Length of Notes
Meaning, Feeling and Style
Listening and Accompanying
Practical Considerations
Micellaneous
Structure and Organic Connection
GH - Going from one thing to another
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GH - Going from one thing to another 2
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GH Bartok Concerto for Orchestra | Comments
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GH Brahms Symphony No. 4 — 2nd & 4th Movements | Remedial Points Workshop
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GH on 1st Movement Repeats (Mendelssohn 4)
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GH on Attitude to Development
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Balance
GH — Playing 'p' out after 'f'
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GH Bartok Concerto for Orchestra | Comments
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GH on Accompanying 1st Violins
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GH on Balance 1
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GH on Balance 2
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GH on Violin Seating
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Bowings
GH Bartok Concerto for Orchestra | Comments
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GH Brahms Symphony No. 4 — 2nd & 4th Movements | Remedial Points Workshop
►
Back to top menu ▲
Dynamics
GH — Playing 'p' out after 'f'
►
GH Bartok Concerto for Orchestra | Comments
►
Back to top menu ▲
Length of Notes
GH Brahms Symphony No. 4 — 2nd & 4th Movements | Remedial Points Workshop
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GH Length of Notes
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GH on Staccato vs Separation
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Meaning, Feeling and Style
GH "Music is to be felt"
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GH Bartok Concerto for Orchestra | Comments
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GH Brahms Symphony No. 4 — 2nd & 4th Movements | Remedial Points Workshop
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GH Mozart - Haffner — Recitative in a Minuet
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GH on 'Classical' vs 'Romantic 1
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GH on 'Classical' vs 'Romantic' 2
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GH on Attitude to Development
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GH on exhibiting musicality
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GH On Soloists
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GH on Third Relations
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Back to top menu ▲
Listening and Accompanying
GH on Accompanying 1st Violins
►
GH on attitude to listening
►
Back to top menu ▲
Practical Considerations
GH on 1st Movement Repeats (Mendelssohn 4)
►
GH On Soloists
►
GH on Violin Seating
►
Back to top menu ▲
Micellaneous
GH Bartok Concerto for Orchestra | Comments
►
GH Brahms Symphony No. 4 — 2nd & 4th Movements | Remedial Points Workshop
►
GH on 'Classical' vs 'Romantic 1
►
GH on 'Classical' vs 'Romantic' 2
►
GH on exhibiting musicality
►
GH On Soloists
►
GH on the Nachschlag
►
GH on Third Relations
►
GH on Violin Seating
►
Back to top menu ▲
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